Tuesday, October 27, 2009
Silver Productions MV Releases Video for Just Left: "Tell Me What You're Think'n."
Just Left - Tell Me That You're Thinkin' music video
Standby Records | MySpace Video
Are you ready for a little Kristin H. trivia? For 10,000 Kristin bucks, correctly answer the following question:
Before becoming a Web Evangelist for the coolest school in town, what was Kristin's dream career?
a) Rodeo clown
b) Doughnut tester
c) English teacher
d) Local music journalist
If you guessed a, b, or c, you didn't know me as a teenager.
That's right -- this straight-laced, Shakespeare loving, J. Crew donning web evangelist used to dream of being a local music journalist, and even had the website (the late SonicTreats.net) and closet full of pleather to prove it. When I wasn't busy trying to wrap my head around 10th grade chemistry, I'd be writing up web interviews with bands like Kill Hannah, Phantom Planet, and The Faint, planning my next feature, or figuring out how to get from my dad's car to Metro or Schuba's as discretely as possible. (My dad would wait in the car.)
True story.
Well, today I get to relive some of those youthful fantasies as Just Left and Silver Productions MV (headed up by Flashpoint Academy film alum, Matt Silver) release the music video for "Tell Me What You're Think'n."
A great collaboration of local filmmakers and local musicians, "Tell Me What You're Think'n" is just one of many Silver Productions MV Videos that showcase the creative talent that continues to place Chicago's music scene among the most vibrant in the country. This catchy, danceable ditty is sure to round out many an indie-kid playlist after today's worldwide release, populating iThings and blasting from car stereos and house parties for months to come.
You can buy Just Left's new album, Think Fast, at Best Buy and other national retailers. To contact Silver Productions, please send an email to inquiries@silverproductionsmv.com and support local talent on your next video project.
Wednesday, October 21, 2009
Doubting the Viability of Vocational Arts Education? Don't.

From the very beginning of my time here (I've been at Flashpoint Academy for a little over 7 months now) it was evident that this was not the case with our students. Intelligent, well-spoken, creative, and extremely driven, the picture of your "average" Flashpoint student is anything but average.
I've seen them do amazing things. They've made festival-winning movies, produced music videos for national acts, developed video games that have impressed even your most prestigious game development companies, and created animations for real Hollywood features. A far cry from those at Le Institut de Refrigeration Repair, Flashpoint students constantly raise the bar not just for themselves and their classmates but for vocational education as a whole. It’s a truly remarkable thing to be a part of.
Recently, more than ever, I’ve been blown away by the work ethic and sheer talent I’ve witnessed around me. It occurred to me that even I, one of the foremost proponents of Flashpoint’s educational model, was not fully aware of the gifts our students have. Want to be impressed? Read first-year student Emily Greenquist’s winning entry into the Game Career Guide Game Design Challenge, or fall into second year student Pete Stilwell’s short story, “Embers.” While you’re at it, check out the amazing review of film alum Michael Noens’ latest feature film, Coasting. I dare you to find a more concentrated crop of talented young minds anywhere – 4 year colleges, I’m talking to you.
In short, the students at Flashpoint are proving that vocational and art education isn’t just for those who can’t make it anywhere else. It’s for those who wouldn’t waste their time doing anything but the things that move them. To me, although few paths are less traveled in traditional education, there is no more proven formula for lifelong happiness and success. And if this isn't how we should measure the value of education, then I don't know what is.
Wednesday, October 7, 2009
Virtual College Fairs: The Future of College Exploration?
Sparing schools and attendees the hassle, travel, and expense of traditional college fairs, College Week Live utilizes a highly interactive online environment to provide a fun and immersive experience for everyone involved. (See a screen shot of Flashpoint Academy's booth at left.) Each virtual booth features everything you would expect from one at an in-person college fair, including live chat with admissions counselors and downloadable information handouts; but CWL allows schools to take their booth to the next level, offering audio and video, live lead capture, and more -- plus all of the advantages of having the internet at your fingertips.
In my experience, the simple fact of being able to bypass the power, internet connection, union labor, and AV rentals costs makes College Week Live a great value. (What would those services run you at your city's convention hall?) But what will really make this type of college fair take off is its ability to draw people from more than one geographic area and help visitors judge a school based not just on the flashiness of its booth, but on the quality of information and people that makes up the institution itself.
If you are a high school teacher or counselor who would like to attend College Week Live (and why wouldn't you: it's free!) click here or go to www.collegeweeklive.com. And don't forget to stop by Flashpoint Academy!
Tuesday, October 6, 2009
Now Accepting Applications: Flashpoint Academy High School Institute (Winter 2010)
Flashpoint Academy will be offering a high school institute this winter, 2010, for students aged 16+ looking to start their education in film/broadcast, game design, recording arts, or visual effects/animation. If you have any questions about it, please feel free to contact me directly. (Since this is the school I work at, I know all the answers!)
FLASHPOINT HIGH SCHOOL INSTITUTE - WINTER 2010
Now Accepting Applications!
Jan 30th-March 6th, 2010
Classes are held each Saturday, from 10:00am-1:00pm.
Space is limited, so register today!
All Flashpoint High School Institute Sessions are held at Flashpoint’s main campus and production facilities at 28 North Clark Street in Chicago. You must be a current high school student and over the age of 16 to attend.
For more information, contact Admissions at (312) 332-0707

Introduction to HD Film Production | Download Application
Cost: $750.00
This six-session, hands-on program is designed to give high school students an introduction to film production and filmmaking techniques. Over the course of a the class, students, working in teams, will take a project from ideation and conception to finished short-film.

Game Design Workshop | Download Application
Cost: $750.00
The Game Design Workshop offers an introduction to modern game design. This professionally guided hands-on opportunity leads a select group of attendees to the creation of a design appropriate for today's consoles. Life-long gamers will evolve game ideas coupled with the fundamentals of play mechanics during this one-of-a-kind workshop. This learning experience involves the creation of physical prototypes, group critique, and design iteration. Finally, at the end of the workshop, diligent attendees leave with the completion of individual professional-quality game concept documents!
Studio Recording Workshop | Download Application
Cost: $750.00
Students will begin the class with an introduction to sound systems used for the recording and playback of professional audio. Topics and collaborative hands-on training include: an overview of the music recording control room and studios, signal flow, operating level, gain structure, basic acoustic principles, microphones, microphone preamplifiers, equalizers, compressors, and the concepts and methodologies of multi-track recording. Students will also engage in aural awareness and critical listening exercises. The last part of the class will be devoted to tracking, overdubs, and mixing sessions of a 4-6 piece pop ensemble. As the Institute concludes, students create compact discs of their projects to Red Book Standard specifications.
Animation/VFX Workshop | Download Application
Cost: $750.00
The VFX & Animation Workshop offers an introduction to the complex but powerful world of creating Visual Effects (VFX) and Animation using computer graphics. This professionally guided hands-on opportunity leads a select group of attendees to the creation of a character animation using a pre-built professional character. The students learn to make the character behave (or "act") in certain ways to convey emotion, creating the illusion that this inanimate character is really alive! At the conclusion of the workshop, hard working attendees leave with the completion of an animated character that they brought to life!
Sound, Image, Time and Space Workshop | Download Application
Cost: $750.00
The Sound, Image, Time & Space Workshop is an immersive program that explores the four media building blocks, and how they are employed by media artists to create emotion and meaning for their audiences. Students in the workshop engage in a series of exercises and experiences designed to build sensory awareness and observations skills, essential tools for all media artists. Screenings and collaborative projects introduce students to many of the fundamental concepts that are at the core of filmmaking, recording arts, animation and game development.
Monday, September 28, 2009
Flashpoint Academy Film Alum Makes Waves With Independent Critics
While he was attending Flashpoint, I had the pleasure of helping to promote and ultimately attend the premiere of Mike's film Off-Loop, a charming comedy about four friends trying to make their way as writers and stage actors in Chicago. I recall the film itself being genuinely enjoyable. Funny, touching, and memorable, Off-Loop was the centerpiece of a truly spectacular evening, and I was thrilled to see that our students are already starting to carve out their niches in the professional world.
This week marks the first review of Mike's newest feature film, Coasting, by The Independent Critic. I hope some of you will take a couple minutes to read this great review and keep your eyes peeled for upcoming festival screenings.
Tuesday, September 15, 2009
Observations on WIF Social Media Panel
First of all, I'd like to kick off this blog post by making a recommendation to anyone looking to organize a panel of this kind: I would suggest marketing to either a ‘beginner’ or an ‘advanced’ audience to make your life a little easier. This way, panelists know whether they need to cover the big buzz words, like 'conversation' and 'authenticity,' etc. Social media is such a popular topic these days that discussions draw attendees from a wide spectrum of topical knowledge, so in order to compensate adequately for your audience it's best to clarify who you're speaking to and go from there.
/Soapbox.
The WIFC Breakfast was fun and informative, and indeed drew from a wide range of women and men all looking to leverage social media for their production companies, independent films, and other projects and businesses. The panelists were Brook Jay, President and CMO of All Terrain; Stuart Hemmings, Technology Director at Agency.com; Heidi Skinner, Influence Marketing Director for Critical Mass; Andy Swindler, President of Astek Consulting; and Danielle Uhlarik, Youtube Ad Programs Manager for Google. The discussion was moderated by Barbara Govednik of 423 Communications.
The panelists started off the discussion simply, more or less stating the case for utilizing not just social media but social behavior. If you're wondering about the distinction, just look to your Twitter account. I guarantee you that you have at least one follower who is exhibiting "anti-social" media, spamming you with whatever message (or link) they're trying to get you to read and not listening at all to what anyone else has to say. This was a pretty natural place to begin the discussion, and I think everyone in the room took this to heart.
Soon, the moderator tossed it to the audience for Q&A. Naturally some common questions arose, such as how one is to measure ROI and what’s the next up and coming social network. The panelists offered a number of free tools for tracking the effectiveness of your social media campaign (such as Addictomatic, Tweetscan, and Tweetscore). It was interesting to hear the panelists’ take on building your own social network around a brand, because the impression that I got is that they think it does not work. In other words, you’re better off joining other people’s conversations than expecting them to join yours. This is probably true in general, but there are some very noteworthy examples – Threadless comes to mind – where building a community is the heart and soul of the company’s success. My mental jury is still on this one.
I spoke briefly with Brook Jay from All Terrain after the panel was over about my feelings on this, and she (a personal friend of Harper Reed of Threadless, as it turns out) seemed to agree with me. I told her that I would have loved to have learned more about how we can take the lessons that we learn from these successes and apply them to building other branded communities, where participants actually take ownership of the space.
This strategy, of course, was probably a little unrealistic for many of the audience members who were there, some of whom were still struggling with getting the idea of social marketing accepted in their office and many of whom are in the infancy of learning what strategies exist and which are best for their company. But all in all it was a really valuable experience, and honestly it was really affirming to hear these expert panelists say so many of the things I already know, and am already trying to do for Flashpoint.
On a lighter note, one really extremely hilarious (and pretty uncomfortable) part of the morning was when one audience member asked of the panel how much they charge, say, Skittles and Jay Cutler for their social media expertise (these are two of the high profile clients that were discussed by the panelists). The panelists of course did not disclose in front of this entire room of women – all of whom with Facebook and Twitter accounts – the amount that they’re charging their clients, but it was interesting to see the way they handled that question. They basically recommended that everyone hire one of me, because we’re cheaper than consultants who run around $150-$200 an hour. (If Flashpoint ever ceases to need me, I know what career path I’ll be looking into!)
Wednesday, September 2, 2009
Is Chicago the Next Silicon Valley?
Read the story HERE and be sure to check out the great video segment below.